Monday, November 18, 2013

The Fault in Our Stars: A Review

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In John Green’s romantic rare, The Fault in Our Stars, Hazel Grace Lancaster, a

stage IV thyroid cancer patient, falls in delight in with supposedly “cancer-ridden” Augustus

Waters. While the fondness tale is thoughtful and intriguing, I build myself predicting the

ending of the novel on page 23 of 313, discovery that the predictability of the frame was an

immensely upsetting aspect of the unusual and a disappointment that largely differentiates

this recent from John Green’s others. However, Green’s more elevated writing style still scored

high by me, resulting in my rating of a 6 in a puzzle of 10, the loss of four points conscious a direct

result of the predictability of this tale. While confronting others who have peruse this

novel as well, they would frequently present to me the argument of predictability versus

foreshadow, and the very fine draw between them. My rebuttal usually corsets along these

lines: Augustus Waters, the stereotypical “violent boy”, as Hazel Grace describes him, comes

to his intimate Isaac’s support group (the undivided that Hazel just so happens to watch), claims

to be free of cancer (and it extremely much appears that way), but admission into the group is

only granted to those through traces of evident cancer. That is my primitive argument, which is

much weaker than its follower. My next argument comes on a hundred years 23, when Augustus

and Hazel are discussing the inventing of cars that make driving despite people with

prosthetic legs easier (similar to Augustus has a prosthetic), he finds room for expectation, sighing, “Maybe

someday”, which prompts Hazel to tell to the reader that he “sighed in a usage that made

me wonder whether he was cocksure about the existence of someday.” This theme would

have been completely irrelevant had it not been because the ending of the novel (corrupter alert)

of Gus dying of cancer. However, which the novel lacks in stability of reach of thought twists is made

up for in the irony of the ending, that being to what extent Hazel Grace, the character...

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